Margie is a reporter on a tabloid newspaper. Her assignment is to find out whether there is any truth to the rumor that college football star Babe Booth is secretly married. To get her story, she goes to the stadium where Booth is playing and gets involved in the game, with unexpected results.

Aspiring newsreel camera girl Pat Clancy, is hired by her father, a publisher, to work on The Sun and causes Scoop Morgan, the paper's best cameraman, to quit in protest of the hiring of a woman. The Mercury hires Scoop, and there begins a heated rivalry between him and Pat. Pat gets a few lucky breaks and manages to get a beat on Scoop during her brief career. After she exposes the theft of a jewel from the turban of a visiting maharajah, she and Scoop are kidnapped by Clayton, the thief, and taken aboard his yacht. Rescued, she and Scoop find love and happiness.

Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon).

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Ferdinand is a long-standing employee at Fish Land, the aquatic centre within the globalised leisure complex "Worlds Apart". He's a small, bald forty year-old, and a solitary, anxious introvert, entirely devoted to his passion for fish. But Ferdinand's obsessive little existence is turned upside down the day Fish Land closes down for six months of renovation. He is transferred to another section of "Worlds Apart", the Finnish-Turkish Delight spa, entirely geared towards the pleasure of saunas and steam rooms. Ferdinand is suddenly thrown into a world of nudity, sensuality, relaxation and letting go... In short, everything he could possibly be afraid of! HOT HOT HOT is the belated journey of initiation of an inhibited little man, who slowly but surely learns to open up to the pleasures of life. It paints a colourful yet sensitive picture of a world caught between artificiality and authenticity, between norm and peculiarity.

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